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Pulp Fiction (1994)
bury me till I confess
The art of Tarantino.
Mia Wallace promo shots for the cover of Pulp Fiction ⭐️⭐️ 1994
GREASER GREECE GREASE LLAMA FACEBOOK
GREASE LLAMA FACEBOOK 🦙 GREECE GREASER
ATREIDES GOMEZ MEIJI ROMANOV PORNZ
- Xenu kidnaps us
- dumps us in volcano, vacuums up our souls
- puts us in a false reality
- we escape into monkeys
- Tom Cruise
Are you, are you fuckin kidding me? Hubbard lived on a boat with a bunch of little boys, wrote really terrible scifi novels, and got laughed right the fuck out of the scientific and medical community for a reason.
- pay money to learn the secrets ( we all now know )
- get to OT whatever the fuck for well over a million dollars
- get told the ultimate secret is that you were you all along but needed the other steps to shed away the not you to find the you, now go live your life ( no refunds )
No one can speak out now that you know, its 75% lawyers coincidentally. Oops, Sue me Scientology, I don’t have any money, stalk me, I’m a lonely guy i could use the company, Harass my family, i dont have much anyways. Of all the religions that are a lie, of all the cults that are goofy as all fuck, you guys really take the space cake, you even got Mormons goin like, what the fuck dude?!
"black is always elegant. it is the most complete color in the whole world, made of all the colors in the palette." - ricardo tisci 🐈⬛
films in order: the addams family, beetlejuice, black swan, the rocky horror picture show, grease, the nightmare before christmas, men in black, the dark knight, crimson peak
other colours !
SMASH sorry i need to calm down
Kingdom of Heaven (2005) dir. Ridley Scott
Sinners (2025) dir. Ryan Coogler
Burn After Reading (2008) dir. Coen Brothers
Friendship (2025) dir. Andrew DeYoung
Grease (1978) dir. Randal Kleiser
Zindagi Na Milegi Dobara (2011) dir. Zoya Akhtar
Really hard for me to gauge this because it comes across as such a legitimately sinister depiction of its subject matter. A suburban hellscape version of West Side Story full of WASPs, where there are no stakes besides a brief (and inconsequential) pregnancy scare and the teenager's emotions are annoying rather than earnest. The last song is about direct denialism of the passage of time. Deeply unsettling limbo version of a falsified Los Angeles in a falsified, misremembered, and palpably ironical idealized time.